Message #17951

[Jitendra Hydonus]

I can understand the #4 because if you play F lydian the 'b' or sharp 4 makes a major 7th in a Dominant chord which makes a c major 7th. However using a B natural (in the g alt scale) with a b flat chord sounds bad to my ear.

So you play four beats of b flat and two bars of e flat... interesting use of rhythm... shortening the sub dominant, with no dominant. Just back and fourth between tonic 7th and sub dominant 7th.